SKU: 42495214891
jade plant in white pot

jade plant in white pot Crassula plant in 5 inch white plastic pot – Plantncr

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Description

jade plant in white pot Crassula plant in 5 inch white plastic pot – PlantncrCrassula plants, also known as jade plant , are plants with parts that are thickened, fleshy, and engorged, usually to retain water in arid climates or soil conditions. The word, succulent comes from the Latin word sucus, meaning "juice" or Sap. Succulent plants may store water in various structures, such as leaves and stems. The habitats of these water preserving plants are often in areas with high temperatures and low rainfall, such as deserts, but

Crassula plants, also known as jade plant , are plants with parts that are thickened, fleshy, and engorged, usually to retain water in arid climates or soil conditions. The word, succulent comes from the Latin word ‘sucus’, meaning "juice" or ‘Sap’. Succulent plants may store water in various structures, such as leaves and stems. The habitats of these water-preserving plants are often in areas with high temperatures and low rainfall, such as deserts, but succulents may be found even in alpine ecosystems growing in rocky soil. Succulents are characterized by their ability to thrive on limited water sources, such as mist and dew, which makes them equipped to survive in an ecosystem that contains scarce water sources.


Benefits of Succulent

 Tough Plant :

Succulents are hardy plants and are able to tolerate high temperatures with less watering needs.


 Aesthetic Appeal :

Succulents is known for its beautiful, thick, glossy green leaves. The unique appearance of the plant makes any garden space look sophisticated and elegant. 


 Low Maintenance :

Succulents are easy to grow and do well on their own. They are drought-tolerant and can easily survive less watering conditions. 


Air Purifier :

Succulents are excellent air-purifying plants that absorb harmful chemicals and give out oxygen-rich air.


Care Tips For Succulents

Watering :

The soil for the Succulents must be watered only when the top layer of the soil looks completely dry. This is because this plant is from an arid region and retains water in its leaves as well.


Light :

Succulents love bright sunlight for at least 8-9 hours a day. However, during the winter months, it is best to keep it in an area where it is not directly exposed to extreme cold.


Placement :

Succulents are outdoor plant. It should be kept in an area receiving bright sunlight during the summer months. As the winters set in, protect the plant from frost.


 Fertilization :

Succulents do not need much fertilizer. Adding vermicompost twice a year will be sufficient for this herbal beauty to thrive.


Ideal Soil Mix :

The ideal soil mix for Succulents is, Perlite/Vermiculite (20%) + Garden Soil (20%) + Cocopeat (25%) + Vermicompost (25%) + Neem Khali (10%) 


Pruning :

Keep pruning the Succulents to encourage branch growth and give it more spread.


Pest Control :

Succulents are not very prone to pest attacks. The few things to be mindful of are, that the plant does not like overwatering or standing water. 


Frequently Asked Questions about Succulent

1. How often should I water my Succulents in India?

Water moderately, only when the topsoil looks completely dry. If placed indoors you can water it once in 3-4 days. 


2. What is a Succulent plant good for?

Most Succulents have excellent air-purifying qualities and help in removing toxins.  


3. Can I keep my Succulents in direct sunlight?

Succulents prefer bright sunlight.


4. Where can I buy the Succulents?

Head over to Plantncr, to discover the best collection of online plants. 


5. Can Succulents survive without sunlight?

Succulents require lots of sunlight as it is basically a plant of the desert. 


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Trendy Chic
Natrona Heights, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Pawtucket, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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Birmingham, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
West Palm Beach, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Cuba, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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